Overcoming problems inherent in the physics of conventional domes, the ‘ring dome’ centre is fixed with a distinct and visible ‘phase plug’. This design enables extended HF reproduction by preventing cancellation across the centre axis of high frequency waves produced near the centre of the diaphragm. The resonance experienced by traditional domes means that, when they approach high-energy, HF performance inevitably induces distortion. Managing this phenomena inevitably reduces the HF capabilities in traditional domes, whereas the ‘ring dome’ is all but exempt of this complication. The result is a better controlled and much more consistent behaviour from 10kHz to 20kHz, and way, way above! Transient performance is dramatically improved, as is musical detailing, particularly of instrument overtones and harmonics.

Maintaining the basis of QX styling, the QX MKII is configured in the classic Mission IDG (Inverted Driver Geometry) format. By positioning the treble unit below the bass/midrange driver, the length of path is equalized so the sound waves coincide at the listener’s head height. This principle improves ‘time alignment’.

QX MKII also takes the ground-breaking serrated driver surrounds to a new level. More than just a technical appearance or pretty design touch, the surrounds have been improved by way of detailed air-flow analysis and precise measurement. The new-look QX MKII surrounds help scatter reflections and reduce airflow interference to improve the silky smooth performance of the drivers and ports.